Not everything is on the wall labels.
The gallery keeps a number of small works off view — made for the curious, never announced, told to friends. This catalogue confirms they exist. Finding them remains your job, but every entry carries a clue, and leaning closer helps.
The collective’s dot, knocked three times, calls the whole company — band included.
TRIPLE-CLICK THE RED DOT IN THE FOOTER LETTERHEAD · SOUND ON
An empty frame abhors a vacuum.
FIND A PAGE THAT ISN’T THERE, THEN CLICK THE FRAME
The guards are patient, but they are watching.
RAPID-CLICK ANY DRAWN ARTWORK · KEEP OFFENDING AND SEE WHO ARRIVES
In the field of many, one of them notices you.
WAKE AN INK DOT-FIELD WITH YOUR CURSOR, THEN CLICK A WOKEN DOT
Inspectors are expected, and greeted.
OPEN THE BROWSER CONSOLE
Some lines exist only on paper.
PRINT ANY SIGNED WORK AND READ ITS LAST LINE
Every agreement here is signed twice.
SIGN AND SEND THE LETTER ON THE CONTACT PAGE, THEN WATCH BESIDE YOUR NAME
Four letters open the sweetshop.
TYPE F-I-K-A ANYWHERE · ON A PHONE, PRESS AND HOLD THE HUMAN IN THE FOOTER
Thursday afternoons, the shop knows what time it is.
VISIT THE CONFECTIONARY ON A THURSDAY AFTERNOON
The gallery keeps visiting hours. It does not lock the door.
VISIT THE GALLERY BETWEEN 10PM AND 6AM, YOUR CLOCK
New works get an opening, and openings get music.
PRESS THE LOBBY PLACARD WITHIN A DAY OF A NEW WORK BEING HUNG
Ring, and someone is on their way.
THE BELL ON THE CONTACT HERO · THE DRAWN DOOR ON OUR STORY KNOCKS TOO
The confectioner reads the stars exactly once a week.
THE STAR-SIGN FIELD IN THE SWEETSHOP, ON A THURSDAY
The small print keeps the Swedish candy calendar.
READ THE SWEETSHOP’S SMALL PRINT IN DECEMBER, AT EASTER, AT MIDSUMMER
Somewhere in the shop, a skull waits to be eaten.
BJÖRN’S BYLINE · CLICK WHAT YOU FIND · YOUR ANCESTORS ARE WATCHING
Pressing harder does not help. He will say so once.
HOLD THE NAME-MY-FLAVOR BUTTON TOO LONG
The gallery stays open when you leave the room.
BACKGROUND THE TAB, THEN READ ITS TITLE
You cannot take it all home.
SELECT ALL — CTRL OR CMD-A — ANYWHERE OUTSIDE A FORM
The founder keeps her ride parked under every signature.
TRIPLE-CLICK THE RED DOT AT THE END OF ANY SIGNED WORK · SOUND ON
The house considers exactly one question settled. Six letters.
TYPE O-X-F-O-R-D ANYWHERE
On this letterhead, the human is the postage.
CLICK THE STAMP ON THE CONTACT LETTER
Museums date their cornerstones the old way.
DOUBLE-CLICK THE YEAR IN THE COPYRIGHT LINE
Stillness, in front of a work, is rewarded.
HOLD YOUR CURSOR PERFECTLY STILL OVER A DRAWN WORK FOR TEN SECONDS
Every band has a show-off. Yours to encourage.
CLICK A MARCHER MID-PARADE
After hours, something escapes its painting. Once a night. She does not wait.
THE GALLERY, LATE · WATCH THE FLOOR · MISS HER AND SHE’S GONE UNTIL TOMORROW
Provoke certain machinery enough and it produces weather. Four days a year, the forecast writes itself.
TRIPLE-CLICK THE RED DOT ON THE HUBSPOT PAGE’S RUN MARK · OR THE GALLERY ON A QUARTER’S LAST DAY · CATCH THE BUYER
At night, someone checks on the collection. He carries a light, and he is aware of the situation.
THE GALLERY AFTER HOURS · WAIT FOR THE ROUNDS · WATCH WHAT THE BEAM FINDS
Morning people get the evidence instead of the animal.
THE GALLERY BETWEEN 6 AND 10 IN THE MORNING · LOOK AT THE FLOOR, QUICKLY
In December, the after-hours room admits winter.
THE GALLERY, LATE, IN DECEMBER
The band knows more than one song. One of them is rare, and the marchers know it.
RUN PARADES · ONE IN TWENTY PLAYS SLOW AND STATELY
The confectioner tolerates exactly one appliance. He did not choose the station.
THE RADIO IN THE SWEETSHOP’S SMALL PRINT · CLICK IT · CLICK IT OFF FOR HIS OPINION
A catalogue of hidden things is itself a hidden thing.
YOU ALREADY FOUND IT
The vault is restocked without notice. Entries appear here only after they have hung unfound for a while — some things on the walls are not in this book yet.